Most iconic antagonists of Indian television: From 'Rumona' to 'Komolika', and more

Heroes are hailed aloud, but it is the antagonists that truly shape them. For every good, there is evil and vice versa. It is the manipulative and deceptive ways of antagonists that give stories the much-needed thrill, making them compelling to watch. Over the years, Indian television has given us some iconic antagonists. Whose cunning schemes and complex personalities have given some of the most popular shows the twists and turns. Here are the ones who stood out for their sly minds and sinister presence.

One of Sudha Chandran’s most iconic onscreen roles, playing Rumona Sikand, established the actor’s identity as the OG antagonist for years to come. Rumona was witty, manipulative, menacing, all that a villain needed to be. Rumona’s presence amplified the suspense of the thriller series. Who can forget her iconic big bindis and dramatic eye makeup that amplified her presence? Due to her piercing, death-like stares and evil plans, Rumona remains one of TV’s most iconic villains to this date.

Komolika’s entry to the background score of ‘Nikka’ and playing with a strand of her hair is undoubtedly one of the most iconic moments in Indian television to this date. Every time Urvashi Dholakia is mentioned, the memory of her hips swaying leaves all the boys stumped. Though Komolika was the primary hurdle between Prerana and Anurag’s union, her character has aged gracefully. Let’s not forget her iconic background score, which is still very much a part of meme culture. With her long, studded, intricate bindis and arrow-shaped sindoor, Komolika introduced the audience to bold glamour.

Tulsi’s step-son, Ansh, unlike his adopted mother, was self-obsessed, egoistic, and a chauvinist. Akashdeep Saigal’s portrayal of the psychopathic lover gave the family drama the twists and turns it needed. Ansh is mostly a by-product of the circumstances and patriarchy that the show portrayed. He is over-pampered by his family, which is why he finds it difficult to take no for an answer. This inability to accept rejection turns into an obsession, leading to the much-needed confrontation between Tulsi and Ansh.

One of Jennifer Winget’s most career-defining performances, the portrayal of Maya shattered her image as the ‘quintessential girl next door’. Maya’s blinded obsession with her lover basically stemmed from her childhood trauma, abuse, and fear of abandonment. Though we might have hated Maya initially for her manipulative ways, her backstory indeed struck a chord with people and added layers to her character. Maya’s character delivered the much larger message that behind every obsessed lover is a person terrified of betrayal.

Adaa Khan’s transition from a loyal friend to the main antagonist remains one of the most popular arcs of the ‘Naagin’ series. Her transition was not rushed; she was allowed to gradually blend into her grey side. Her gradual thirst for power remains one of the show's most powerful arcs. Apart from her intense screen presence, Shesha’s onscreen presence gave the show its wide appeal. Her complex equation with Shivanya (Mouni Roy) was one of the show's most-watched aspects.

For its uncomfortable realism, Vanraj, played by Sudhanshu Pandey, struck a chord with the audience, though we have all hated Vanraj for his controlling and misogynistic nature. It is his character and toxic behaviour that forced Anupama to look within and re-examine her life choices. He is manipulative and easily gaslights everyone around him when questioned. Vanraj loves being in control, and his dictatorial personality reflects the patriarchy existing in society.

Vatsal Seth delivered a compelling performance as the narcissistic scion of the rich Goenka family in the thriller series. He is power-driven, hungry for control, and even abusive to the weak. Shaurya’s egoistic, self-obsessed nature is the motivational force behind Durga’s (Sanjeeda Sheikh) quest for revenge. Shaurya’s portrayal of the rich, spoiled brat and his mother turning a blind eye to his actions reflects how men are pampered and spoiled in society.