I am learning to navigate the industry on my own terms, says Saiee Manjrekar
‘You have to stay true to the time you’re portraying’
Set in the pre-Independence era, The India House challenged Saiee to trade spontaneity for research-driven restraint. “What was easy for me was that there’s so much data available. You can do so much research about how people dressed, how people spoke,” she says, adding that the film’s setting helped her internalise the world further. “To top that off, the setting, our backdrop of Hampi, really made it easier to get into that time period.” At the same time, instinctive improvisation needed to be reconsidered. “We were shooting this film in Hindi and Telugu both. What gets tricky sometimes is not being able to improvise. With Telugu, I would probably just say my lines as they were given to me. But with Hindi, sometimes in the middle of a scene, I try to improvise or say one line on my own, and that doesn’t work because I’m like, wait, people at that point probably didn’t speak like this,” she explains. “But once you get the hang of it, it’s just about being in that character and believing in that time period and being authentic to it.”
The people of Hyderabad are so warm and welcoming. They make you feel at home, which is important because you miss home when you’re away. I love that warmth and love. I have so many memories in this city. I call it a second home now
‘I don’t feel the need to constantly be visible anymore’
Having filmed projects like Major in multiple languages, Saiee approaches bilingual shoots as an opportunity rather than a challenge. “I don’t think it’s too challenging. In fact, it makes the process easier because I know exactly what I’m saying in both languages,” she says. For her, the advantage lies in the ability to carry nuances across takes. “For example, something that came naturally in my Hindi take, like a tone or emotion, we used that in the Telugu take as well,” she adds. “If you look at it as double the work, it’ll bog you down. But if you look at it as something exciting and fun, then that’s what it becomes.” Emphasising that her choices are not language-driven, she notes, “Honestly, I believe it is important that the story is what matters. I’ve never been tied to a language barrier. I would love to work in every language there is.”
There was a time when I felt like I needed to be seen more, but that has changed. Today, I’m more focused on my work and keeping things private. I just hope people see me for the roles I take on and the effort I put into them
‘I’ve always just loved being around horses’
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