Nayanthara shares heartwarming Christmas moments from Europe trip with Vignesh Shivan and kids

Nayanthara delighted fans by sharing a glimpse of her cherished Europe vacation with husband and filmmaker Vignesh Shivan and their twin sons, Uyir and Ulag. The family visited Paris and the scenic Greek island of Mykonos, creating memories they will treasure forever.

Taking to Instagram, Nayanthara posted a series of wholesome pictures, captioning them, “Sweet little moments from the best holiday we have ever had. Paris n Mykonos will always be super special as we celebrated all the birthdays in the family n got to travel with our babies.” She accompanied the caption with halo, red heart, and evil eye emojis.


In one snap, Nayanthara was seen walking hand in hand with one of her kids, dressed casually in an orange top, white sneakers, and a ponytail. Another heartwarming image showed her holding one child in her arms. The couple also shared a romantic moment posing in front of the Eiffel Tower, while another family shot captured all four of them together.

The pictures showcased their playful moments, including Vignesh lying on the ground as the kids approached him. A serene sunset photo of the couple and a family portrait in Mykonos, where they all wore white and smiled for the camera, added to the charm.

Check out the pics here.

Vignesh shared a picture with other tourists from their trip, calling them his “Greece gang.”

On the professional front, Nayanthara will next be seen in Rakkiye, while Vignesh is gearing up to direct Love Insurance Kompany.

Meanwhile, Nayanthara’s previous outing was ‘Annapoorani’. Etimes rated the film with a solid 3 out of 5. Check out our review here - father Rangarajan (Achyuth Kumar) is so devoted to Lord Ranganathar that he has chosen to serve food to the God rather than take up a job in the railways. This is why when Annapoorani decides to become a chef, the very idea is shot down - can a girl belonging to a family that serves food to the God cook 'impure' non-vegetarian food? Director Nilesh Krishnaa paints this tale in broad brushstrokes, but the film manages to be perfectly agreeable. In a sense, it is the McD of feel-good/inspirational dramas. Nothing exceptional, but very much palatable. In fact, for a film revolving around food, the film hardly has any memorable shots of food or of the cooking process. The film plays out like two distinct halves pre and post-intermission. If the first half focuses on the diemma of a woman from an orthodox family trying to learn cooking without causing them any hurt, in the second, she has to discover her love for it, following an event that robs her of her gift, and prove herself on a MasterChef-like reality show. The director literalises the challenges that his protagonist has to overcome in the process by way of animated segments in which a young girl climbs peaks that she has to I order to achieve her dream. It is both simplistic and an overkill - just like the film's attempts at promoting religious harmony, and Thaman's wall-to-wall background score.