‘Books tell stories through chapters, music in verses’
Usha Uthup: For me, every song I sing must leave an impact on the audience. I am a people’s person, and through my singing I try to share that connection every time. Whenever I sing, I want to convey a story – joy, happiness, sorrow, or struggle – and it must always carry some meaning. My aim is to bring a smile to the audience’s face, which is why I choose songs with lyrics that speak deeply and touch hearts.
‘Ritwik da taught me the craft of cinema’
Madhabi Mukherjee: I remember Ritwik da as a complete filmmaker who understood acting, direction, and music deeply. Despite gruelling conditions and simple meals, we created lasting classics. Generous yet unpredictable, he could be warm on set, but after drinking, his moods often changed. Working on his sets meant enduring far tougher conditions than today, yet his films remain classics. He instilled in us a deep love for the craft. His sets were disciplined and affectionate but firm, and he never hesitated to correct us for our growth.
Few know Ritwik Ghatak was also a fine actor, deeply involved in theatre and highly knowledgeable about music
‘The aroma of books takes me to a different world’
When you sing a song, you express emotions and personal experiences to the listener, creating a beautiful exchange that calls for deep interaction between the two
‘Kanan Devi had a golden heart’
Madhabi Mukherjee: Kanan Devi was not only a remarkable actor and singer but also a woman with a golden heart. Widely remembered as Bengali cinema’s first true star, her grace extended beyond the screen. At a time when society was far from progressive, she became the first president of Mahila Shilpi Mahal, supporting senior female artistes and charitable causes. Even when principles clashed with internal disagreements, she worked tirelessly for the greater good. I deeply admire her strength, integrity, and enduring mentorship.
‘Chhabi Biswas turned my mistakes into lasting lessons’
Madhabi Mukherjee: I began acting at just four, stepping in a play named Seeta by Sisir Kumar Bhaduri when an artiste fell ill. My mother urged him to cast me, and perhaps my innocent expression convinced him. My first role was as an ashram balika. Soon after, at Prabha Devi’s insistence, I joined Minerva Theatre, spending a decade learning discipline with stalwarts. Working with Chhabi Biswas was a turning point. I once forgot my lines, and the way he guided me has stayed with me. My journey has been shaped by my teachers and the audience.
Ritwik da loved playing chess but hated losing. I played well but ensured our game ended in a draw to avoid his fury
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