19.20.21

Plot: A student`s life turns upside down when he is arrested for his connection with the Naxals.

Review: Tragedy befalls Vithala Malekudia, who is arrested for his association with the Naxals. Director Mansore aptly captures his mental and physical suffering. The scene where he writes his exams with his hands handcuffed is especially poignant.

In an attempt to combat the Naxals, police and anti-Naxal forces disrupt the lives of a people who have lived in the forest for hundreds of years. Although there are frequent reports, there was curiosity as to how Mansore would translate it on screen. In 19.20.21, Mansore manages to narrate real incidents with a lot of conviction, successfully employing the narrative of the thriller genre. He delves into the helplessness of the tribals living in the forest, the greed and irresponsibility of local politicians and officials, and the flaws of the judicial system.

The soul of the entire movie is to create awareness about the Constitution of India. Mansore has got it spot on with an excellent script and neatly woven characters who stand out. This film also touches on a courtroom drama, another highpoint in the film. At that time, COVID cases were on the rise and COVID rules were followed in the court sequences. Mansore has shot these gripping sequences so well that there is never a dull moment. After many years, the judgment is delivered in 2021. The climax of the movie is extremely realistic, striking a chord.

Kudos to Veeru Mallanna for churning out a fantastic screenplay. The dialogues are heartwarming. Cinematographer Shiva BK Kumar has done a commendable job. When it comes to the actors, protagonist Shringa has acted brilliantly without saying much. Singer MD Pallavi, Balaji Manohar, Sampath Maitrey and many other artistes have also put up an excellent act. Rajesh Nataranga, Venkatesh Prasad and Krishna Hebbale have done justice to their respective roles.

This film is a must-watch.