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This story is from February 13, 2015
Whole Sum Parts
Because of its short duration, Whole Sum Parts can more aptly be called a series of acts, instead of a full-fledged play. Written and directed by The Drama School of Mumbai alumni Saudamini Kalra, the theme and style of execution of this piece is hugely inspired from the popular international play, The Vagina Monologues.
Play: Whole Sum Parts
Director: Saudamini Kalra
Duration: 35 minutes
Cast: Archana Patel Nandi and Samridhi Devan
Rating: ***
Because of its short duration, Whole Sum Parts can more aptly be called a series of acts, instead of a full-fledged play. Written and directed by The Drama School of Mumbai alumni Saudamini Kalra, the theme and style of execution of this piece is hugely inspired from the popular international play, The Vagina Monologues.
What it’s about: Just like the monologues, this one is for women, by women and about women. But this isn’t to say that men can’t enjoy it. It is a satirical take on all undue pressures and expectations that the fairer sex in the world faces. Whether it’s pop culture, media or society, women, irrespective of their age or backgrounds, are expected to behave and conduct themselves in a certain manner. Whole Sum Parts is a commentary on these very social norms. The two female protagonists (Archana Patel Nandi and Samridhi Devan) act out slices from the lives of different women. Sometimes they play young, adolescent girls, with curious questioning minds, other times they are world-wisely women, giving their view point on different matters.
Of course, unlike The Vagina Monologues, this one doesn’t delve deep into women’s sexuality and bodies; rather, it focusses more on their fears, the stereotypical gender roles they are expected to follow, etc. What’s heartening to watch is that despite being conventionally feministic in it content, its approach isn’t very typical – it’s not serious or preachy. You don’t have the actors endlessly ranting on about how women have got a raw deal in this world. And it doesn’t involve male bashing. The director has highlighted grim issues and managed to keep the tone of the play light and mostly humourous, thus making it an enjoyable watch for everyone in the audience. The two leads do a good job, with special mention to Archana Patel Nandi, who is a delight. The snappy style of narration, and the witty lines that Whole Sum Parts has makes you only wish there was more. Definitely recommended.
Director: Saudamini Kalra
Duration: 35 minutes
Cast: Archana Patel Nandi and Samridhi Devan
Language: English
Rating: ***
Because of its short duration, Whole Sum Parts can more aptly be called a series of acts, instead of a full-fledged play. Written and directed by The Drama School of Mumbai alumni Saudamini Kalra, the theme and style of execution of this piece is hugely inspired from the popular international play, The Vagina Monologues.
What it’s about: Just like the monologues, this one is for women, by women and about women. But this isn’t to say that men can’t enjoy it. It is a satirical take on all undue pressures and expectations that the fairer sex in the world faces. Whether it’s pop culture, media or society, women, irrespective of their age or backgrounds, are expected to behave and conduct themselves in a certain manner. Whole Sum Parts is a commentary on these very social norms. The two female protagonists (Archana Patel Nandi and Samridhi Devan) act out slices from the lives of different women. Sometimes they play young, adolescent girls, with curious questioning minds, other times they are world-wisely women, giving their view point on different matters.
Of course, unlike The Vagina Monologues, this one doesn’t delve deep into women’s sexuality and bodies; rather, it focusses more on their fears, the stereotypical gender roles they are expected to follow, etc. What’s heartening to watch is that despite being conventionally feministic in it content, its approach isn’t very typical – it’s not serious or preachy. You don’t have the actors endlessly ranting on about how women have got a raw deal in this world. And it doesn’t involve male bashing. The director has highlighted grim issues and managed to keep the tone of the play light and mostly humourous, thus making it an enjoyable watch for everyone in the audience. The two leads do a good job, with special mention to Archana Patel Nandi, who is a delight. The snappy style of narration, and the witty lines that Whole Sum Parts has makes you only wish there was more. Definitely recommended.
About the Author
Purvaja SawantEnd of Article
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