Sukhee

Story: Sukhpreet Kalra aka Sukhee (Shilpa Shetty Kundra), a devoted middle class Punjabi housewife in her 40’s faces existential crisis. A school reunion invitation wakes her from her boredom.

Review: Sukhee reminisces about her glorious past, carefree life in Delhi as a teenager when she was loved for who she was as a woman as opposed to being needed solely to serve others and fulfill her duties as a mother and wife.

Finally, there’s a desi film on female friendship and desire that isn’t about sex. Director Sonal Joshi deserves applause just for this. Her story hits home as it mirrors the inner turmoil of almost every middle-class housewife, who marries early and forfeits her dreams for love.
Years of putting everyone else’s needs before your own doesn’t earn you respect. You are required, yes, but are you valued? Traditionally, women are taught to be happy within this realm of self-sacrifice as that makes for an ideal bahu, bhabhi or beti. Sukhee makes you look inwards as she decides to break free from the shackles of her domestic life and revisit her past, much against the wishes of her daughter and husband, who are quick to label her as selfish.

There’s a lot to like in this dramedy that observes a woman reclaiming her self-worth. Some moments are heart-warming, especially the ones between Sukhee and her bed-ridden father-in-law (also Sukhee), who urges her to ‘live her life’. Sukhee's aching regret about being left behind when compared to her working women besties who she considers to be achievers, is relatable. It stems from society's perception of housewives. Saara din ghar pay karti kya hai? Unaccounted work and wasted potential, the director touches upon these issues well. A slight resemblance to ‘English Vinglish’ is also evident. The school reunion scene is hilarious where the girl gang of class 97’ dolls up only to see their unattractive ageing classmates and ghazals being played for the party considering the target audience.

Sukhee feels promising until things get slapstick and off track. Expect pointless toilet humour and jokes that lack punch. The narrative shifts gear and loses your attention once the action moves to Delhi. Scenes and dialogues run in circles, and everyone keeps repeating things they have already said. “Sukhee naam wale kabhi dukhi nahi hotay” sounds good when you hear it once. Overkill is tiring. The girl gang track would’ve worked if other characters weren’t just Sukhee cheerleaders but individuals in their own right. None of the other girls (Kusha Kapila, Dilnaz Irani, Pavleen Gujral) have much to do, though all have a decent screen presence. Despite roping in a good actor, Amit Sadh love track is the film’s weakest portion. It does not work at all and only drags the film endlessly. The film could’ve easily been 20 minutes shorter to work better.

Shilpa Shetty Kundra is perfect for this part and reminds you why she deserved roles like Life in a Metro, Phir Milenge more. Despite her sultry screen avatar, she slips into the psyche of a middle-class housewife effortlessly. She even gets a Baazigar ‘bangs’ makeover to show her younger self. The 90’s outfits pay an ode to Govinda well but the de-ageing feels a bit excessive. Chaitannya Choudhry as the husband and Maahi Jain as the daughter are effective in portraying their flawed characters.

Sukhee has a heartfelt premise but it lacks pace, struggles to be engaging and gets too preachy to be perfect towards the end.