<div class="section1"><div class="Normal">Which one is the original? That is the question. The Sanjay Gupta-directed <span style="" font-style:="" italic="">Kaante</span> was in the news in the UK recently —for all the wrong reasons. <span style="" font-style:="" italic="">The Sunday Times</span> carried a report stating that Hollywood might just wake up to the Bollywood way of remaking its movies on the sly.<br />For those not clued in,<span style="" font-style:="" italic=""> Kaante</span>, starring Amitabh Bachchan, Sanjay Dutt and Sunil Shetty, among others, has been dubbed as a copy of Quentin Tarantino’s directorial debut movie<span style="" font-style:="" italic=""> Reservoir Dogs</span> (1992).<br />So far so good.
But does Hollywood have a copyright on copying original ideas? Can Gupta be accused of copying <span style="" font-style:="" italic="">Reservoir Dogs</span> when <span style="" font-style:="" italic="">Reservoir Dogs</span> itself is a lift? ‘‘Sing a happy song, then do a two-step shuffle and slice off the kidnapped policeman’s ear,’’ is how a report in <span style="" font-style:="" italic="">The Sunday Times</span> describes <span style="" font-style:="" italic="">Kaante</span>. The report quotes a Hollywood lawyer as saying: ‘‘Until now, it has not been worth our time tangling with film-makers in a Mumbai court. But if this <span style="" font-style:="" italic="">Reservoir Dogs</span> rehash starts making serious money in the East, then we shall have to start investigating how closely such movies are copying the originals.’’<br />Now let’s go back to <span style="" font-style:="" italic="">Reservoir Dogs</span>. It’s a story of how mastermind Joe Cabot (Lawrence Tierney) assembles a crew of top-notch criminals to pull off a jewellery store heist. As the film opens, it becomes clear that the plan has backfired, forcing the survivors, who have gathered at an abandoned warehouse, to figure out if one of them is a police informer.<br />Cut to 1987. Ringo Lam, one of the new wave Hong Kong directors, who has directed two formula films, <span style="" font-style:="" italic="">Esprit D’Amour </span>and <span style="" font-style:="" italic="">Aces Go Places 4</span>, finally gets a chance to direct a film which he has been meaning to. The film is titled <span style="" font-style:="" italic="">City Of Fire</span> and stars Chow Yun-Fat. <span style="" font-style:="" italic="">City Of Fire</span> tells the tale of an undercover cop (Chow Yun-Fat) who goes in too deep infiltrating a gang of jewel thieves while befriending a veteran gangster (Danny Lee). Any similarities between <span style="" font-style:="" italic="">Kaante</span>, oops, <span style="" font-style:="" italic="">Reservoir Dogs</span> and <span style="" font-style:="" italic="">City Of Fire</span>? Well, <span style="" font-style:="" italic="">Reservoir Dogs</span> not only lifts the storyline of this Hong Kong production, but also key scenes and the ending.<br />The West describes Reservoir Dogs as a homage to <span style="" font-style:="" italic="">City Of Fire</span> and how the ultra-hip soundtrack and pop culture dialogues made the film seem wholly original. So much so, Tarantino’s distinct cinematic vision later become one of the most mimicked styles of the 1990s. Yes, Tarantino’s directorial debut has served as a trend-setter for Hollywood, but does this change the ground reality for <span style="" font-style:="" italic="">Reservoir Dogs</span>... and from where the film was inspired, remade or copied?</div> </div>