Revisiting the Dhurandhar of Indian art
Dhurandhar appreciated beauty in every person. This book is full of observations, which will make every art lover appreciate his art again
Documenting Dhurandhar’s vast body of work, spanning five decades, the book situates him within early 20th-century Indian art. It chronicles how the academic-realist contributed to the nationalist movement while navigating his relationship with the colonial rulers, and explores how he illustrated the city and women.
Dilli ka mausam, Trump ka mood, aashiq ka mizaaj... Iss rang badalti duniya mein, art ka rang toh chahiye hi. Human life has always been unpredictable, even unkind. So, where have we always turned? To art, creativity, beauty
Art historian Alka Pande shared her thoughts, asking the question, “Have we forgotten Dhurandar?” Through her presentation she placed some of his artworks in direct comparisons with his contemporaries Abanindranath Tagore, Amrita Sher-Gil and his teacher Ralph Peacock. Highlighting his artistic significance, she added that Dhurandhar’s works, such as Chhatrapati Shivaji Maharaj’s coronation, Shivaji in Aurangzeb’s court, and scenes like a Pathare Prabhu wedding, demonstrate how he localised academic realism while capturing historical and cultural identity, aligning indirectly with broader currents of emerging nationalistic consciousness. “influence can be seen in the continued presence of realistic traditions in Indian art, education, and practice,” she said.
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