Vijaynagar'er Hirey (Kakababu)

Vijaynagar’er Hirey opens with a graphics-heavy flashback that signals Bengali cinema’s ongoing effort to scale up its visual ambition. While the effects may not always land smoothly, the intent to create a larger canvas is clear. Once the story settles into its rhythm, the film leans comfortably on its strongest asset, Prosenjit Chatterjee’s Kakababu. Returning with authority, he brings a lived-in maturity to the character, making the seasoned explorer feel both credible and reassuring.
Aryann Bhowmik continues as Shontu, proving yet again why the pairing works. His performance is confident, especially during the action sequences, where he balances physical agility with emotional steadiness. Pushan Dasgupta, as Jojo, adds welcome levity, punctuating tense moments with humour that never feels forced and keeps the narrative pace buoyant.
The film benefits from its restrained use of music, allowing the atmosphere to do much of the work in building suspense. Anujoy Chattopadhyay delivers intensity as Mohan Singh, a character driven by greed and menace rather than layered motivation. Rajnandini Paul brings freshness as Raya, a descendant of the Tuluva dynasty, though the eventual reveal of her intentions lacks the dramatic punch it promises. Chiranjeet Chakraborty, even in limited screen time, commands attention with his trademark ease.
What truly holds the film together is the clue-hunting trail and the gradual unearthing of the diamond’s mystery, which remains consistently engaging. Vijaynagar’er Hirey may not be the franchise’s most thrilling chapter, but it offers a steady, absorbing adventure that respects its legacy while keeping the intrigue alive.